The Melody of Time: Music and Temporality in the Romantic Era: Music and Temporality in the Romantic Era by Benedict Taylor
- The Melody of Time: Music and Temporality in the Romantic Era: Music and Temporality in the Romantic Era
- Benedict Taylor
- Page: 328
- Format: pdf, ePub, mobi, fb2
- ISBN: 9780190206055
- Publisher: Oxford University Press
Free ebook download pdf format The Melody of Time: Music and Temporality in the Romantic Era: Music and Temporality in the Romantic Era RTF iBook 9780190206055 in English
From the Romantic era onwards, music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. Through its play of themes and recurrence of events, music has the ability to stylise in multiple ways our temporal relation to the world, with far-reaching implications for modern conceptions of memory, subjectivity, personal and collective identity, and history. Time, as philosophers, scientists and writers have found throughout history, is notoriously hard to define. Yet music, seemingly bound up so intimately with the nature of time, might well be understood as disclosing aspects of human temporality unavailable to other modes of inquiry, and accordingly was frequently granted a privileged position in nineteenth-century thought. The Melody of Time examines the multiple ways in which music relates to, and may provide insight into, the problematics of human time. Each chapter explores a specific theme in the philosophy of time as expressed through music: the purported timelessness of Beethoven's late works or the nostalgic impulses of Schubert's music; the use of music by philosophers as a means to explicate the aporias of temporal existence or as a medium suggestive of the varying possible structures of time; and, a reflection of a particular culture's sense of historical progress or the expression of the intangible spirit behind the course of human history itself. Moving fluidly between cultural context and historical reception, competing philosophical theories of time and close reading of the repertoire, Benedict Taylor argues for the continued importance of engaging with music's temporality in understanding the significance of music within society and human experience. At once historical, analytical, critical, and ultimately hermeneutic, The Melody of Time provides both fresh insight into many familiar nineteenth-century pieces and a rich theoretical basis for future research.
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Paul de Man, “The Rhetoric of Temporality” – Romanticism stages the tension In terms of Romantic music history—terms that Wagner will exploit—we could ends in the sensual emotionalism of melody or the spiritual concordance of harmony Music converts to the capacity to see: time cedes to vision: synaesthesia.
Academia.edu | Documents in Musical time - Academia.edu
The Melody of Time: Music and Temporality in the Romantic Eramore. by Benedict Taylor. From the Romantic era onwards music has been seen as the most
The Melody of Time: Music and Temporality in the Romantic Era
From the Romantic era onwards, music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the
The Melody of Time: Music and Temporality in the Romantic Era
The Melody of Time: Music and Temporality in the Romantic Era [Kindle edition] by Benedict Taylor. Download it once and read it on your Kindle device, PC,
Chopin and the Romantic Sonata: The First Movement of Op. 58
of Romantic aesthetics contemporary with the period in which the piece was music on the first-narrative level is the temporal music—tempo- ral in the sense that it Under the definitions of musical temporality and atemporal- ity as I have the tonic again (again with the melody on F♯), but this time never manages to
The melody of time : music and temporality in the romantic era · Q
Time and transcendence in Beethoven's late piano sonatas -- Music, time and philosophy -- Memory and nostalgia in Schubert's instrumental music
Cyclic Form, Time, and Memory in Mendelssohn's A-Minor Quartet
By Benedict Taylor in Henri Bergson and Nineteenth-Century Music. to the world has been celebrated in the Romantic era, from Schelling, Schleiermacher, themes creates a complex mode of temporality with far-reaching expressive implications for with both the recitative motif and the slow-movement fugue melody.
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